Add correct diacritic to Béla Viktor János's name

3 files changed, 8 insertions, 8 deletions

diff --git a/en/concerts.in b/en/concerts.in
index 9d7a2bf..3605690 100644
--- a/en/concerts.in
+++ b/en/concerts.in
@@ -60,7 +60,7 @@ Flaine Forêt
 Route de Flaine
 74300 Arâches-la-Frasse
 PROGRAMME :
-Bartok quartet No. 2
+Bartók quartet No. 2
 INSTRUCTIONS :
 Free admission without reservation, subject to the number of available places.
 For more information, please contact quatuorbellefeuille@gmail.com
diff --git a/en/programs.in b/en/programs.in
index 793abda..417f894 100644
--- a/en/programs.in
+++ b/en/programs.in
@@ -51,16 +51,16 @@ intermission
 Ravel — string quartet (1903)
 
 NOM : 360°
-COMPOSITEURS : Haydn, Bartok, Brahms
+COMPOSITEURS : Haydn, Bartók, Brahms
 DURÉE : 1:50 with intermission
 DESCRIPTION :
 This panoramic vision provides an exploration of the string quartet's repertoire with three great composers representative of the aesthetics of their time.
 
-This program will take you on a journey across centuries and styles, from the elegant and inventive classicism of Haydn to the mysterious and flamboyant modernism of Bartok, passing via the sometimes tender, sometimes tumultuous sentimental romanticism of Brahms.  
+This program will take you on a journey across centuries and styles, from the elegant and inventive classicism of Haydn to the mysterious and flamboyant modernism of Bartók, passing via the sometimes tender, sometimes tumultuous sentimental romanticism of Brahms.  
 Three contrasting quartets that highlight the universal and timeless aspect of musical language.
 MORCEAUX :
 Haydn — quartet Op. 76, No. 1 (1797)
-Bartok — quartet No. 2, Op. 17 (1917)
+Bartók — quartet No. 2, Op. 17 (1917)
 intermission
 Brahms — quartet Op. 51, No. 2 (1873)
 
@@ -79,13 +79,13 @@ intermission
 Beethoven — quartet Op. 18, No. 4 (1799)
 
 NOM : The precursors
-COMPOSITEURS : Beethoven, Bartok
+COMPOSITEURS : Beethoven, Bartók
 DURÉE : 1:15 with no intermission
 DESCRIPTION :
 This concert brings together two virtuoso quartets that have marked the history of music. Today they are considered masterpieces of the repertoire.
 
 Beethoven played a major role in the development of the string quartet. Through his sixteen quartets composed over nearly thirty years, he pushed the boundaries of the genre, sharing his deepest feelings. During its creation, the 7^th^ quartet encountered the incomprehension of both the public and the performers. To the violinist Radicati, who told him it wasn't music, Beethoven replied: “It's not for you! It's for times yet to come.”  
-Advancing from a different perspective, Bartok sought to innovate in form while anchoring his work in the popular tradition of his country. He undertook an innovative approach which led him to collect folklore themes from local populations. His cycle of six string quartets, also composed over the space of thirty years, is the completion of the quest for this new musical language, inspired by popular music with the richness of construction specific to Western written music.
+Advancing from a different perspective, Bartók sought to innovate in form while anchoring his work in the popular tradition of his country. He undertook an innovative approach which led him to collect folklore themes from local populations. His cycle of six string quartets, also composed over the space of thirty years, is the completion of the quest for this new musical language, inspired by popular music with the richness of construction specific to Western written music.
 MORCEAUX :
 Beethoven — quartet No. 7, Op. 59, No. 1, “Razumovsky” (1806)
-Bartok — quartet No. 2, Op. 17 (1917)
+Bartók — quartet No. 2, Op. 17 (1917)
diff --git a/en/quartet.md b/en/quartet.md
index f9dc89e..e9fb904 100644
--- a/en/quartet.md
+++ b/en/quartet.md
@@ -4,7 +4,7 @@ Their personality has been forged through decisive meetings such as that with [L
 
 The ensemble has shared the string quartet repertoire with welcoming audiences at festivals around France. It has performed in music schools of the Paris region and had the pleasure of playing in the great hall of the Philharmonie de Paris. During a series of concerts in partnership with the Virtuoso & Belcanto festival and Le Dimore del Quartetto, the Bellefeuille savored the beauty of Tuscany and Italian enthusiasm for the string quartet. They have also applied themselves to [reaching new audiences, such as]{.emph1} during their concert-mediation at the Mauzac detention center.
 
-[The quartet enjoys approaching all styles and characters,]{.emph1} from the playfulness of Haydn to the intensity of Shostakovich, by way of Beethovenian passion, the ardor of Mendelssohn and the impressionism dear to Ravel. The group has also enriched and diversified its repertoire by performing Bartok and Brahms.
+[The quartet enjoys approaching all styles and characters,]{.emph1} from the playfulness of Haydn to the intensity of Shostakovich, by way of Beethovenian passion, the ardor of Mendelssohn and the impressionism dear to Ravel. The group has also enriched and diversified its repertoire by performing Bartók and Brahms.
 
 [The quartet warmly thanks Musique à Flaine and Le Dimore del Quartetto for their faithful support.]{.emph2}