Add a few forgotten translations

5 files changed, 6 insertions, 6 deletions

diff --git a/en/david.membre.in b/en/david.membre.in
index cda0ee0..89a3e05 100644
--- a/en/david.membre.in
+++ b/en/david.membre.in
@@ -1,5 +1,5 @@
 David Forest
-violon
+violin
 #e05a00
 #bf9000
 What is your professional background? I come from a family of music lovers and I started playing the violin at the age of 5 in a music school in the Paris region. While I was at school, I was not obviously predestined for music; I was more interested in science. It was around the age of 16 that I received the "stimulus" I needed; I was studying with Dorothée Nodé-Langlois who really passed on her passion for the violin. I continued studying at the Boulogne-Billancourt Regional Music School and then moved to the CNSM where I joined the Bellefeuille quartet.
diff --git a/en/enguerrand.membre.in b/en/enguerrand.membre.in
index 4bf542e..4de0ada 100644
--- a/en/enguerrand.membre.in
+++ b/en/enguerrand.membre.in
@@ -1,5 +1,5 @@
 Enguerrand Bontoux
-violoncelle
+cello
 #6e9928
 #203864
 What is your professional background? I was born in a family of musicians. My mother is a violinist and my father is a singer so I quite naturally started playing cello at the age of 5. But I didn't realize until later, when I was a teenager, how much music really meant to me. When I entered the class of the great pedagogues Pascale Michaca's & Xavier Gagnepain at the Boulogne Billancourt Conservatory, I was suddenly immersed in a new world where harmony and poetry reigned supreme; music became a refuge every moment of the day. I also got to know the members of the quartet there, and I quickly realized that this mix of friendship, high standards and musical emotions would become a major incentive for me. I am currently continuing my studies at the CNSMD in Lyon in Anne Gastinel & Edouard Sapey's Triomphe class.
diff --git a/en/hervé.membre.in b/en/hervé.membre.in
index 5b3fa68..d8a6a12 100644
--- a/en/hervé.membre.in
+++ b/en/hervé.membre.in
@@ -1,5 +1,5 @@
 Hervé Blandinières
-alto
+viola
 #068e18
 #1368a1
 What is your professional background? When I was little, I used to fall asleep lulled by a recording of Brahms' *3rd symphony* and its variations on a theme by Haydn. It probably impacted my life more than I could have imagined at the time. For many years however, music remained a simple hobby, like other manual activities (DIY, painting, sculpture, …), which made me hesitate for a long time when I had to choose a career. I finally decided to follow the musical path that I had been tracing since I was seven years old, and I entered the music schools of Gennevilliers, Boulogne-Billancourt, then the CNSMDP. After a quick stint at the Academy of the Opéra de Paris, I am now the happy violist of the Bellefeuille quartet, and a member of the Orchestre de Paris.
diff --git a/en/index.html b/en/index.html
index 5f4d156..f2c3c02 100644
--- a/en/index.html
+++ b/en/index.html
@@ -1,9 +1,9 @@
 <main>
     <a id="next-concert" href="concerts.html#concert-2021-04-03">
       <p>
-        <span id="day">3</span>
+        <span id="month">April</span>
         <br>
-        <span id="month">avril</span>
+        <span id="day">3</span>
       </p>
     </a>
 </main>
diff --git a/en/sophie.membre.in b/en/sophie.membre.in
index 73d8e53..f8240d6 100644
--- a/en/sophie.membre.in
+++ b/en/sophie.membre.in
@@ -1,5 +1,5 @@
 Sophie Guille des Buttes
-violon
+violin
 #ce9b03
 #203864
 What is your professional background? I started playing the violin at age seven, after being moved by a recording of Christian Ferras performing the Sibelius concerto. I was then accompanied by three great pedagogues to whom I owe my musical aesthetic: Christophe Poiget, Roland Daugareil and Luc-Marie Aguera. When we started the quartet, I found an ideal way of expressing myself thanks to a beautiful group synergy and an amazing repertoire! I entered the Paris Chamber Orchestra in early 2021 and am currently finishing my master's degree at the CNSM in Paris.